Postcolonial Memory Films

Lecture on Dutch-Indonesian and German-Namibian films

 

In recent years, postcolonial struggles over memory have produced a wave of film productions across various European cinemas. In 2020, the Dutch film De Oost [The East] was released on Amazon Prime. Three years later, in 2023, Der vermessene Mensch [Measures of Men] hit theatres across Germany. These films have a commonality: they cinematically represent underrepresented colonial histories. Moreover, both films were widely promoted as being the first to address particular episodes in Dutch and German colonial history that had been silenced in public discourse/memory. For De Oost it is the structural violence committed by Dutch perpetrators during the Indonesian War of Independence (1945-1949); for Der vermessene Mensch it is the German genocide against the OvaHerero and Nama people in Namibia (1904-1908). 

While these topics may seem to promise a decolonial perspective on history, we argue that the films’ selective narratives and stereotypical visual representation patterns impose restrictions on this potential. Instead, we will focus our comparative study on the production context of these films with a particular emphasis on distribution and promotion. We contend that the most comprehensive way to understand the cultural meaning of these postcolonial films is to analyse what Astrid Erll and Stephanie Wodianka (2008) call “plurimedial constellations”, meaning how these productions evolve in networks of media and social practices of collective memory. We do this by analysing the public debates around these films, asking how these films have been framed in promotion events, and by focusing on the media that are tied into the films. By analysing these plurimedial constellations, we map out how these films – each in its own way – are ambivalent and paradoxical. While they perpetuate elements of colonial thinking, their contextual existence simultaneously destabilises dominant structures of knowledge about the colonial past. Their seeming incongruity is what we propose to be a key element of contemporary European postcolonial memory films.


Guest lecture:

When? Tuesday, November 5, 4:15 pm
Where? Goethe University, Campus Westend, Casino 1.812

More information can be found at the Frankfurt Memory Studies Platform (FMSP) website and on the event poster